Hitch hated to shoot on location , he preferred to shoot at the studio where he could have full control of lighting and other factors. The film stars Farley Granger, Ruth Roman, and Robert Walker. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. His plan is relatively simple: Two strangers each agree to kill someone the other person wants gone. A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people. Written by Was this review helpful to you? He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. Once on the train, Bruno orders a pair of double drinks — "The only kind of doubles I play", he says charmingly. The director managed to negotiate such a low fee by keeping his name out of the negotiations, as was his M.O. Strangers on a Train is a taut crime thriller. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. Two men attempt to prove they committed the perfect crime by hosting a dinner party after strangling their former classmate to death. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. In Strangers on a Train the life of the main character , Guy Haines , a "Preferences in food characterize people..." Hitchcock said. One studio press release gave rise to a myth that still lingers on today. FADE IN: EXT. For his part Finn seemed to think he could power his way through the song and bring it all together. [16] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. [11] Highsmith was quite annoyed when she later discovered who bought the rights for such a small amount. The film holds a 98% rating on Rotten Tomatoes, and Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. The director told Ormonde to forget all about the book, then told her the story of the film himself, from beginning to end. There can be no compromise in his work, his food or his wines. Rating : Above average , well worth watching . Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. Guy Haines meets a stranger on the Washington-to-New York train who offers to exchange murders. [22], Nevertheless, the score does pick up on the ubiquitous theme of doubles — often contrasting doubles — right from the opening title sequence: "The first shot — two sets of male shoes, loud versus conservative, moving toward a train — carries a gruff bass motif set against Gershwin-like riffs, a two-part medley called "Strangers" and "Walking" that is never heard again. A chance encounter on a train journey turns into the ideal murder plan; but is it really so ideal? "The scene gives a beautifully exact symbolic expression to Guy's relationship with Bruno and what he stands for. My third favorite Hitchcock behind NBNW and Vertigo, I've always thought Strangers on a Train was underrated. Cinematography Robert Burks Art Direction Edward S. Haworth Film Editor William H. Ziegler [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. I'd heard of Strangers on a Train before; knew it was an old B&W film about a murder plot, but that's about all I knew. Strangers on a Train (Paperback). Strangers on a Train was een Britse muziekgroep, die bestond in het begin van de jaren 90.De band speelde neoprog en kan gezien worden als de voorloper van Shadowland.. Strangers on a Train, made in 1951 for Warner Brothers , also offers points of comparison with North by Northwest , with the theme of a persecuted innocent man . [56] "Highsmith's Bruno is a physically repugnant alcoholic... but in [Whitfield Cook's] hands, the film's Bruno became a dandy, a mama's boy who speaks French, and who professes ignorance of women. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. Hitchock married Alma Reville , usually screenwriter ,and had one daughter, Patricia Hitchcock, who appeared in several of his movies: Stage fright (1950), and Psicosis (1960) and Strangers on the train where she plays splendidly the distrusted sister .Frequent collaborator the director of photography Robert Burks creates a stunning cinematography . Overview. "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside.... My father wasn't ever sadistic. Strangers on a train Part 1 When the train stopped at the station, I opened my eyes and looked out of the window. Anne visits Bruno's home and unsuccessfully tries to explain to his befuddled mother that her son is a murderer. [40] It is a score that "goes largely uncelebrated."[40]. "[16] This would be their last collaboration. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. [18], Upon its release in 1951, Strangers on a Train received mixed reviews. Use the HTML below. "Me, I never do anything important." Miriam informs Guy that she no longer wants to end their marriage. One could study it forever. I got a theory a person ought to do everything it’s possible to do before he dies, and maybe die trying to do something that’s really impossible. The festival of colours wouldn't be complete without the perfect dance playlist for your Holi party. Believing Guy is trying to escape, a police officer shoots at him but instead kills the carousel operator, causing the ride to spin out of control. It appeared in 1950 and is still her best-known book.Highsmith is one of the best crime writers of this century. You must be a registered user to use the IMDb rating plugin. The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. ‘Strangers on a Train’ is a murder-suspense, from director Alfred Hitchcock, based on the 1950 debut novel by Patricia Highsmith, with a screenplay co-written by Raymond Chandler. to get film rights for as cheap as possible. He found exactly what he needed right on the Warners lot in the person of staff cameraman Robert Burks, who would continue to work with Hitchcock, shooting every Hitchcock picture through to Marnie (1964), with the exception of Psycho. As Bruno dies, his fingers open to reveal Guy's lighter in his hand. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends — "and I have a picture of us waving. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. Guy's immediate dislike of Bruno, is a dislike of his feelings for the man. [48], Roger Ebert wrote that "it is this sense of two flawed characters — one evil, one weak, with an unstated sexual tension — that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. Now the room was a little Hell. Recensie Strangers on a Train (1951), een film van Alfred Hitchcock met Farley Granger, Robert Walker, Ruth Roman, Leo G. Carroll, Patricia Hitchcock, Kasey Rogers (als Laura Elliott), Marion Lorne, Jonathan Hale, Howard St. John, John Brown, Norma Varden, Robert Gist [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. Strangers on a Train. Strangers on a Train is a novel with a homo-erotic sub text. "[37] The powerful music accurately underscores the visuals of that title sequence — the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Station—because it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. Bruno is delayed when he accidentally drops Guy's lighter down a storm drain and must retrieve it. Together the three women, working under the boss's guidance and late into most nights,[16] finished enough of the script in time to send the company east. Strangers on a train viel me licht tegen, al had ik hoge verwachtingen van de film. He ran out of the room, then he opened one garykmcd. He is seen carrying a double bass as he climbs onto a train. Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. Next shot. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. Senator. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. The stranger will kill Guy's estranged wife if Guy will murder Bruno's hated father. The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. Guy dismisses it all out of hand, but Bruno goes ahead with his half of the "bargain" and disposes of Miriam. Strangers on a Train (1951) was director Alfred Hitchcock's suspenseful, noirish black and white thriller about two train passengers: tennis pro Guy Haines (Farley Granger) and psychopathic dandy Bruno Antony (Robert Walker), who staged a battle of wits and proposed trading murders with each other. De hoofdrollen worden vertolkt door Farley Granger, Robert Walker en Ruth Roman. / I overheard you say, "Not stirred, but shaken." [20] "To all appearances Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed," wrote Carringer; he is "a man of indeterminate sexual identity found in circumstances making him vulnerable to being compromised. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. 0:50. [44] It premiered in New York on July 3, marking the reopening of the extensively remodeled Strand Theatre as the Warner Theatre, and in a dozen cities around the country. ' Strangers on a Train has lost none of its power to disturb…We will likely be reading Patricia Highsmith for the next one hundred years.' 'Strangers on a Train' sports an almost-perfect 1080p/AVC MPEG-4 transfer that heightens the effects of Robert Burks' stunning cinematography. Hitchcock's even-strained response: "Cut. Want to share IMDb's rating on your own site? Strangers on a Train Synopsis: In Alfred Hitchcock's adaptation of Patricia Highsmith's thriller, tennis star Guy Haines (Farley Granger) is enraged by his trampy wife's refusal to finalize their divorce so he can wed senator's daughter Anne (Ruth Roman). Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. De film, die tot Hitch beste gerekend wordt begon weinig bijzonder en werd gaandeweg steeds interessanter. Realizing that Guy is not the murderer, the police ask him to come to the station the next day to tie up any loose ends. 'Hey! The film's noir-ish flavor is spiced up by well-defined shadows, luscious black levels, and stark contrast, all of which lend this Hitchcock classic a bold, muscular look that ramps up tension and draws us deep into the characters' twisted lives. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1–31 p 31 DOI: 10.1080/01439689508604551, sfn error: no target: CITEREFMcGillian2006 (, sfn error: no target: CITEREFChandler2004 (, sfn error: no target: CITEREFMcGillligan2004 (, Warner Bros. press release #HO9-1251, November 30, 1950, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1014267836, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 March 2021, at 03:02. UNION STATION, WASHINGTON, D.C. DAY LONG SHOT THE CAPITOL DOME IN THE B.G. "Hitchcock raced ahead of everyone: the script, the cast, the studio... pieces of the film were dancing like electrical charges in his brain. He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. "Strangers on a Train" is not a psychological study, however, but a first-rate thriller with odd little kinks now and then. It was not enough for Hitchcock to construct merely a world of doubles — even contrasting doubles — in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. It proceeds, as Hitchcock's films so often … Kasey Rogers (whose performance as Miriam is credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. When Guy balks, Bruno makes it clear that he will plant evidence to implicate Guy in her murder if he doesn't get rid of his father. There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film.
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